"Miss Francis was a remarkable Juliet, delivering the Spanish and English translations with fluidity, passion, and a twinkle for her beloved Romeo... The heartbreaking final death scene was made all the more stirring based on her committed performance" - Marc Gonzalez (The Road to 1,000)

"Francis and Simon are excellent physical actors, circling the diamond stage like boxers in a ring." - Steve Murray (Broadway World)

"Bringing a voice that is the evening's most electrifying and exciting, Ella Ruth Francis is Natalie"- Eddie Reynolds (Talkin' Broadway)

"Francis...makes one intelligent choice after another, recoiling from a kiss as if she got bit, exaggerating an orgasm and then recovering her composure with whiplash-inducing alacrity." -Lily Janiak (San Francisco Chronicle)

"As the daughter, Natalie, a riveting Ella Ruth Francis shows real fire in her eyes as she rages, yet at times she completely crumples apart trying so hard to be the dutiful daughter. Francis seems far older than her years and has a magnificent voice." - Joanne Engelhardt (Mercury News)

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